Brothers is loud, over-the-top and an exhausting watch, says Raja Sen.
Movies, their motives and time of release make me wonder if we'll ever be able to see India as India and not a reflection of its governments, notes Sukanya Verma.
All the action from the grand night.
Pictures from a fun night!
Kochadaiiyaan is a fundamentally flawed dud, one without anything to applaud besides grand (if self-glorifying) ambition, rants Raja Sen.
As often is the case on celluloid, romanticising death is as significant as making every moment count where a young life's passing makes the realisation all the more heartbreaking and momentous.
Looking forward to Jolly LLB 2, 2.0 and much more.
A look at the potential blockbusters this summer.
If only making it official was as easy as falling in love, says Sukanya Verma.
'I would like to do a biopic (on) Parveen Babi. She was such a gorgeous woman. She was also my neighbour. It was very sad when she died. It is so tragic when you are young and have fame, fortune, praise and everything and then you are alone.' Shraddha Kapoor discusses her big hits.
'I didn't post the pictures thinking they would be like an encore.' Krishna Shroff gets bold...again.
'I have an absolutely professional relationship, nothing personal, with Amitabh Bachchan.' 'I am the only person in the industry whom he never calls for home parties or festivals. Unless we have work, we don't call each other.'
While Sonu Sood stays consistent and Deepika inevitably dazzles, it is Shah Rukh himself who appears the most out of place, says Raja Sen.
'The source of our music, the very notes of music itself have fallen silent.'
Bollywood's superstars have tried their hand at con films, and the genre has made quite a bit of money.
At Priyanka Chopra and Nick Jonas's nuptials, the Adil Manuel Collective played funk, jazz and R&B for longer than planned that evening at the Umaid Bhawan Palace in Jodhpur. One of the couple's friends in the audience yelled: 'Are you guys even from India?' Adil Manuel offered to show her their passports.
Gang Of Ghosts is one of those films that falls in the category of a bad remake, says Sonil Dedhia.
Jacqueline Fernandez on life after Kick and her forthcoming film Brothers.
We go on the sets of Juhi Chawla's Chalk N Duster.
'Mumbai stands tall yet again.' Bollywood raves about the city's resilience.
Remembering an incomparable actor by re-visiting his finest films.
Dhoom 3 is a children's film made for children who've never seen a film, writes Raja Sen.
A look at the last films of directors, who met with untimely deaths.
Celebrating the maestro, who turned 52, January 6, and his music.
Here's looking at the winners.
Here's a closer look at Farah Khan's latest movie.
Happy New Year is watchable in parts but its three hours and plus running time makes it woefully difficult.
'She broke down, I broke down... because it is such an intense film.' 'The lines blurred between being on screen and our real emotions towards each other.' The Kapoor siblings turn reel life siblings in Haseena Parkar.
'I knew things were not going well, but there was always that hope.'
Even as Sonam Kapoor threw a Diwali party, Amitabh Bachchan hosted a grand celebration too.
Dhoom 3 continues the tradition of extravagance in adventure and expenditure by roping in the fastidious Aamir Khan as its latest star antagonist, writes Sukanya Verma.
All this and more in Subhash K Jha's Bollywood Buzz.
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PK is no satire -- it's a bit too toothless for that -- but it is a rollicking mainstream entertainer with ambition to evoke some introspection, says Raja Sen.
As the world celebrates Father's Day on Sunday, we look back at some sweet memories Bollywood celebrities with their fathers.
The best dressed men from the GQ Best Dressed red carpet.
Sumedha Raikar-Mhatre examines the Marathi film industry, which annually produces around 190 dissimilar films that requires an investment of Rs 400 crores.
Even with an ongoing pandemic, theatres in many states functioning at 50 per cent occupancy, a quieter social life and fewer movies, Bollywood still managed to pack in plenty of drama and trauma, fun and festivity, love and war into the year.
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